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When you do scale-out, putting more eggs in a basket creates a conflict between the cost of consolidation vs the cost of administering more instances. Finding that sweet spot won't be easy and you may need to maintain that across several generations outside a physical server, since complete slash-and burn or green-field deployments aren't normal beyond the 1st build-out.
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Compared to the third-gen Polaroid Now Plus, my former retro pick, the Flip delivers clearer shots with fewer wasted photos, making the extra $50 worthwhile given that eight I-Type sheets are a spendy $18.99. The increased clarity can be attributed to several factors, including the Flip’s sonar autofocus and a four-lens hyperfocal system — which result in sharper, more focused images — along with its excellent flash. It’s the most powerful of any Polaroid camera, and while it can sometimes overexpose images, you can adjust exposure directly from the camera or app. The Scene Analysis feature also helps by warning if a shot is likely to be over- or underexposed, or if you’re too close to your subject. In my experience, the warnings didn’t always prevent overexposure, but they did leave me with shots that looked less blown than those from the Now Plus.
The film hits even harder considering Panahi's life story. The Iranian regime has arrested Panahi in the past and even banned him from making films, meaning he shot several films in secret. While It Was Just an Accident is his first film following the lifting of the ban, he still shot it covertly. Such secrecy amplifies the film's tension, and Panahi certainly pulls no punches in one of the best films of the year.* — B.E.